Complete the aspiring supervillain's annual performance review by matching the correct prepositions to their verbs.
Employee: Henchman #42 Reviewer: Dr. Chaos
"As a professional minion, you rely too heavily on dramatic monologues instead of actual lasers. Your evil plans mostly consist of stealing office supplies from the hero's headquarters. You cannot blame the superhero for your own mistakes, nor can you prevent me from firing you if you don't step up your game!"
...you rely too heavily on dramatic monologues...
The verb "rely" is always followed by the preposition "on" (or "upon") when talking about depending on someone or something.
Your evil plans mostly consist of stealing office supplies...
The verb "consist" pairs with "of" to describe what something is made of or composed of.
You cannot blame the superhero for your own mistakes...
The structure is "blame [someone] for [something]". (Note: You can also "blame [something] on [someone]", but the object order here requires "for").
...nor can you prevent me from firing you...
We use "prevent [someone/something] from" followed by an -ing verb to talk about stopping an action.
Preposition
If you've ever written I'm interested on you (should be in) or I'm good on football (should be at) — you've hit prepositions' main pitfall. Their choice is mostly idiomatic, not logical, and rarely matches what your native language does. Memorising the right preposition for each common verb and adjective is what stops your speech from sounding subtly off.
A preposition is a small word linking a noun or noun phrase to other parts of the sentence: in, on, at, to, from, with. Marks time, place, manner, or abstract relationships. Choice is largely idiomatic, especially in fixed combinations (depend on, good at, afraid of).
Verb
If grammar feels overwhelming, the fix is almost always to focus on verbs first. They carry the action, the time, the mood, and the voice — a single verb form decides whether your sentence reads as past or present, fact or hypothetical, active or passive. Get verbs solid and the rest of grammar suddenly looks much smaller.
A verb expresses action, state, or occurrence — the engine of every English sentence. Most verbs have five forms (base, -s, past tense, past participle, -ing); be has eight; modal verbs have fewer. Verbs carry tense, aspect, mood, and voice.
Collocations
If your English vocabulary is large but your speech still sounds slightly off — do a mistake, powerful coffee, high winds blew strongly — you've hit the collocation problem. Each word is correct in isolation, but native speakers don't pair them that way. Fixing it isn't about more vocabulary; it's about learning words in their natural company.
Collocations are word combinations that habitually occur together: make a decision, strong coffee, heavy rain, highly unlikely. The grammar permits other pairings, but fluent English consistently chooses one over the rest. They're the connective tissue of natural-sounding language.
Humor
If you've ever reached the third drill of present perfect and felt your eyes glaze over, you've hit the limits of dry repetition. Practice that's even mildly funny is far easier to come back to — and far easier to remember weeks later. That's the whole point of the Humor tag.
The Humor tag marks questions where the author has tried to make the practice entertaining alongside instructive. Subjective, sometimes silly, but designed to keep you engaged long enough for the rule to stick.
Vocabulary
If you've ever known the grammar of a sentence but not the right word for what you actually wanted to say — help me, kindly, unfortunately, broke down, put up with — you've felt the limit of grammar without vocabulary. Most fluency-feel comes from word choice, not sentence structure. The Vocabulary tag is where you build that side of your English deliberately.
The Vocabulary tag groups word-focused practice — common words, collocations, phrasal verbs, idioms — across all CEFR levels from A1 to C2.
B1 | Intermediate
If you can hold a conversation about your weekend, explain why you're late, and follow a short news story without panicking — but still feel lost in fast or technical English — you're probably operating at B1. Knowing this matters: study material at the wrong level either bores you or burns you out, and B1 is the typical target for travel, casual work, and most everyday social English.
B1 is the intermediate level in the CEFR framework, where you handle everyday English independently and start combining ideas with complex sentences, passive voice, and modal verbs.
Difficulty: Medium
If easy questions feel too obvious but hard questions leave you guessing, you're probably ready for Medium — the level where most real learning happens. It pushes just enough to expose the rules you don't quite have yet, without burying you in edge cases. This is where steady fluency is built, one well-aimed challenge at a time.
The Medium difficulty tag marks middle-range challenges — typically A2 to B1. One rule per question, realistic distractors, and contexts that require active thought rather than instant recognition.