The correct answers are raise, rise, lay, and lies.
raise vs rise: Raise is a transitive verb, meaning it needs a direct object (you raise the lightning rods). Rise is intransitive and does not take an object (the monster rises on its own). lay vs lie: Lay is transitive and needs a direct object (you lay the enchanted cape). Lie is intransitive and takes no object (the monster lies there).
Irregular verb
An irregular verb doesn't form its past tense and past participle by adding -ed — it changes shape in unpredictable ways: go → went → gone, eat → ate → eaten, put → put → put, take → took → taken. English has roughly 200 irregular verbs in common use, and many of them are the most frequently used verbs in the language (be, have, do, say, get, make, go, come).
Because the most-used verbs are irregular, you can't avoid them — they show up in every sentence. Memorising the three principal parts (base, past tense, past participle) of the top 100 is one of the highest-leverage moves at A2/B1.
Object
In grammar, an object is the entity a verb acts on. Tom studies grammar — grammar is the object. English distinguishes three types: a direct object (the thing acted on: Sam fed the dogs), an indirect object (the recipient: She sent him a present), and a prepositional object (introduced by a preposition: She is waiting for Lucy).
Knowing whether a verb takes an object — and which kind — is built into transitive and intransitive verb patterns. Pick the wrong pattern and the sentence either dangles or doubles up.
Present tense
The present tense in English has four forms: simple present (I work) for habits, general truths, and stative descriptions; present progressive (I am working) for actions happening right now or temporary situations; present perfect (I have worked) for past actions with present relevance; and present perfect progressive (I have been working) for ongoing actions continuing into the present.
The simple/progressive distinction is one of the trickiest jumps for learners — I work in Paris (habitual) and I'm working in Paris (temporary, right now) feel almost identical but signal different things. Pick wrong and your meaning subtly shifts.
Transitive and intransitive verb
A transitive verb requires an object to complete its meaning (She broke the vase); an intransitive verb can't take a direct object (Rivers flow, Birds fly). Many verbs are ambitransitive — they work both ways with different meanings (She eats lunch / She eats slowly; The window broke / I broke the window).
This distinction matters because using a transitive verb without its object (She broke.) leaves the sentence dangling, and adding an object to an intransitive verb (She slept her bed) breaks it. Knowing each verb's pattern is essential for avoiding common A2/B1 mistakes.
Verb
A verb is a word that expresses an action, a state, or an occurrence — the engine of every English sentence. Most verbs have five forms: base (go), -s form (goes), past tense (went), past participle (gone), and -ing form (going). The verb be is the major exception with eight forms; modal verbs like can and must have fewer.
Verbs carry tense (when), aspect (how it unfolds), mood (the speaker's attitude), and voice (active vs passive). Mastering them is foundational — virtually every other grammar topic depends on getting verbs right.
Simple tense
The simple aspect is the unmarked verb form — no progressive -ing, no have + past participle. I go, I went, I will go are simple; I am going, I have gone, I had gone are not. The simple aspect typically marks a single completed action (Brutus killed Caesar), a repeated/habitual action (I go to school every day), or a permanent state (We live in Dallas).
The simple aspect is the foundation everything else builds on. Once it's automatic, switching into progressive (ongoing) or perfect (completed-relative-to-now) becomes a small adjustment rather than a fresh decision.
Humor
The Humor tag marks questions and challenges where the author has tried — subjectively, deliberately — to make the practice itself entertaining. Expect characters, scenarios, and storylines that play with absurdity: zombies, alien tourists, a chef's disaster, a roommate's complaint. The grammar rule is real; the wrapping isn't.
Humor matters because grammar drills are forgettable. Tying a rule to a story your brain wants to keep makes it stick. Filter by Humor when motivation is what you're short on, not study time.
Vocabulary for B2/Upper Intermediate
The B2 vocabulary tag covers vocabulary for upper-intermediate English — roughly 4,000–6,000 words. New territory: specialised fields (business, science, technology basics), nuanced emotions, hedging language (tend to, seem like, appear), reporting verbs (claim, suggest, imply), and a much wider range of idioms and figurative expressions.
B2 is the level where you can read newspaper editorials, follow professional meetings, and argue a position with subtlety. Vocabulary work at this stage is less about quantity and more about precision.
B2 | Upper Intermediate
B2 is the upper-intermediate level in the CEFR framework, sitting between B1 and C1. At B2 you can read editorials, follow most TED talks without subtitles, and hold extended conversations on abstract topics — including topics outside your everyday life.
Grammatically, B2 means flexible control of mixed conditionals, passive voice across tenses, reported speech with proper backshifting, and participle clauses. B2 is the standard target for university entrance exams (IELTS 5.5–6.5, TOEFL 87–109) and most skilled-migration thresholds — knowing whether you're there shapes your study plan.
Difficulty: Medium
The Medium difficulty tag marks questions and challenges in the middle of the difficulty range — typically suitable for A2 to B1 learners. Expect a single rule with realistic distractors, longer sentences, and contexts where you have to think before answering rather than reading off the obvious choice.
Filter by Medium when you're past the absolute basics and ready to consolidate. It's the level where most lasting progress happens — easy enough that you can finish without exhausting concentration, hard enough that getting it right means you've actually understood.