Basics. Reporting Verbs: Gerunds, Infinitives, and That-Clauses
Reporting Verbs: Gerunds, Infinitives, and That-Clauses
When we report what someone said, we don't always just use "say" or "tell." We use expressive reporting verbs like admit, warn, or apologize to convey the speaker's exact tone and intention. However, these verbs require specific grammatical patterns. For example, you refuse to do something (infinitive), but you deny doing something (gerund). You might also warn someone not to do something (object + infinitive).
In this challenge, you will help document alien sightings, clumsy waiters, and roommate disputes while practicing these tricky verb patterns. You will choose the correct structures for verbs followed by gerunds (like suggest or deny), infinitives (like offer or promise), object + infinitive combinations (like warn or tell), and that-clauses (like explain or insist). You will also navigate the subtle grammatical differences between say, tell, and ask.
You'll work through 12 questions in a mix of single-choice, multi-choice, drop-down, and drag-and-drop formats.
Try the quiz to check your knowledge!
Clause
If you've ever been told your sentence is a "run-on" or that you've used a comma where there should be a semicolon — you've hit the limits of writing without seeing clauses. Get this concept solid and most punctuation problems quietly disappear: you can finally tell a complete thought from a fragment without guessing.
A clause is a grammatical unit built around a verb, usually with a subject and a predicate. Independent clauses stand alone (I missed the bus); dependent clauses can't (Because I overslept). Combine them and you build complex sentences.
Gerund
If you've ever said I enjoy to read or good at to swim and wondered why it sounded wrong, you've met the gerund. English is fussy about which structures take -ing and which take to + verb, and getting this wrong is one of the most common giveaways that someone learned grammar from a list rather than from real usage.
A gerund is the -ing form of a verb acting as a noun — reading, swimming, being late. After many common verbs (enjoy, avoid, finish) and after every preposition, English demands the gerund, never the infinitive.
Indirect speech
If you've ever tried to retell what someone said and ended up with a verb-tense mess (She said she will come — wait, would come?), you've hit indirect speech. The rules look intricate but reduce to one move: when the reporting verb is past, shift everything in the reported clause one step into the past. Master that and reporting other people's words stops being a guessing game.
Indirect speech reports what someone said without quoting them: "I like apples" → He said that he liked apples. The core mechanism is backshift — tenses retreat one step into the past — plus pronoun and time-expression shifts.
Infinitive
If you've ever written I enjoy to swim or He let me to go and only later learned why both are wrong — you've hit the infinitive's main puzzle. English is fussy: some verbs demand the to-infinitive, some demand the bare infinitive, some demand the gerund, and a few accept multiple options with different meanings (remember to lock vs remember locking).
The infinitive is the basic form of a verb, used non-finitely. The to-infinitive (to go) follows verbs like want, decide, plan; the bare infinitive (go) follows modal verbs (can, will) and causatives (Let him go).
Negation
If your native language uses double negatives (I don't see nothing) — like Russian, Spanish, or French — you've probably been told this is wrong in English and not been entirely sure what the fix is. Standard English uses one negative per clause: either I saw nothing or I didn't see anything, never both. Once you internalise that single rule, your written English clears up a lot.
Negation in English uses not after an auxiliary or modal verb: I am not going. Without an auxiliary, you add do-support (I do not go). Negative words like never and nobody already negate the clause — adding not on top creates non-standard double negatives.
Object
If you've ever written I gave and felt the sentence was unfinished, or written She arrived the airport (it should be at the airport) — you've felt the rules around objects. Different verbs demand different object structures, and English is fussy about which preposition (if any) joins the object to the verb. Getting it right is the difference between sounding fluent and sounding translated.
In grammar, an object is the entity a verb acts on. Three types: direct object (Sam fed the dogs), indirect object (She sent him a present), prepositional object (She waited for Lucy).
Past tense
If you've ever told a story in English and felt the timeline get tangled — I came home, the dog ate, the cat slept — you've hit the limits of using simple past for everything. The past tense system has four forms specifically because real stories have layered timing: things that happened before other things, actions caught in progress, sequences of completed events.
The past tense has four English forms: simple past (I walked), past progressive (I was walking), past perfect (I had walked — earlier than another past event), past perfect progressive (I had been walking — ongoing up to a past point). Plus irregular verbs for the simple-past form.
Verb
If grammar feels overwhelming, the fix is almost always to focus on verbs first. They carry the action, the time, the mood, and the voice — a single verb form decides whether your sentence reads as past or present, fact or hypothetical, active or passive. Get verbs solid and the rest of grammar suddenly looks much smaller.
A verb expresses action, state, or occurrence — the engine of every English sentence. Most verbs have five forms (base, -s, past tense, past participle, -ing); be has eight; modal verbs have fewer. Verbs carry tense, aspect, mood, and voice.
Collocations
If your English vocabulary is large but your speech still sounds slightly off — do a mistake, powerful coffee, high winds blew strongly — you've hit the collocation problem. Each word is correct in isolation, but native speakers don't pair them that way. Fixing it isn't about more vocabulary; it's about learning words in their natural company.
Collocations are word combinations that habitually occur together: make a decision, strong coffee, heavy rain, highly unlikely. The grammar permits other pairings, but fluent English consistently chooses one over the rest. They're the connective tissue of natural-sounding language.
B1 | Intermediate
If you can hold a conversation about your weekend, explain why you're late, and follow a short news story without panicking — but still feel lost in fast or technical English — you're probably operating at B1. Knowing this matters: study material at the wrong level either bores you or burns you out, and B1 is the typical target for travel, casual work, and most everyday social English.
B1 is the intermediate level in the CEFR framework, where you handle everyday English independently and start combining ideas with complex sentences, passive voice, and modal verbs.
Difficulty: Medium
If easy questions feel too obvious but hard questions leave you guessing, you're probably ready for Medium — the level where most real learning happens. It pushes just enough to expose the rules you don't quite have yet, without burying you in edge cases. This is where steady fluency is built, one well-aimed challenge at a time.
The Medium difficulty tag marks middle-range challenges — typically A2 to B1. One rule per question, realistic distractors, and contexts that require active thought rather than instant recognition.