Basics. Prepositions and Gerunds: Afraid of Doing
Prepositions and Gerunds: Afraid of Doing
In English grammar, when a verb directly follows a preposition (such as of, at, or in), it must take the gerund (-ing) form. For example, you would say, "She is afraid of falling," rather than "afraid of fall," and "He is good at listening," instead of "good at listen."
This challenge covers common adjective and preposition combinations followed by gerunds, focusing on phrases like afraid of, good at, and interested in. You will apply these rules to some highly unusual characters, including a superhero terrified of sleeping in the dark, a dog who is afraid of taking a bath, and a friendly ghost who prefers baking cookies over scaring people.
You'll work through 10 questions featuring a fun mix of single-choice, multi-choice, drop-down, and drag-and-drop formats.
Try the quiz to check your knowledge!
Adjective
If you've ever written a French nice old wooden table and felt something was wrong without knowing why, you've hit the adjective-order rule. English insists on a particular sequence — opinion, size, age, shape, colour, origin, material — and rearranging the words makes a sentence sound non-native even when every individual choice is correct.
An adjective describes a noun or pronoun: a tall building, the soup is hot. Most adjectives also take comparative and superlative forms (taller, tallest), which is how you compare things — another core piece you need from day one.
Gerund
If you've ever said I enjoy to read or good at to swim and wondered why it sounded wrong, you've met the gerund. English is fussy about which structures take -ing and which take to + verb, and getting this wrong is one of the most common giveaways that someone learned grammar from a list rather than from real usage.
A gerund is the -ing form of a verb acting as a noun — reading, swimming, being late. After many common verbs (enjoy, avoid, finish) and after every preposition, English demands the gerund, never the infinitive.
Preposition
If you've ever written I'm interested on you (should be in) or I'm good on football (should be at) — you've hit prepositions' main pitfall. Their choice is mostly idiomatic, not logical, and rarely matches what your native language does. Memorising the right preposition for each common verb and adjective is what stops your speech from sounding subtly off.
A preposition is a small word linking a noun or noun phrase to other parts of the sentence: in, on, at, to, from, with. Marks time, place, manner, or abstract relationships. Choice is largely idiomatic, especially in fixed combinations (depend on, good at, afraid of).
Verb
If grammar feels overwhelming, the fix is almost always to focus on verbs first. They carry the action, the time, the mood, and the voice — a single verb form decides whether your sentence reads as past or present, fact or hypothetical, active or passive. Get verbs solid and the rest of grammar suddenly looks much smaller.
A verb expresses action, state, or occurrence — the engine of every English sentence. Most verbs have five forms (base, -s, past tense, past participle, -ing); be has eight; modal verbs have fewer. Verbs carry tense, aspect, mood, and voice.
Collocations
If your English vocabulary is large but your speech still sounds slightly off — do a mistake, powerful coffee, high winds blew strongly — you've hit the collocation problem. Each word is correct in isolation, but native speakers don't pair them that way. Fixing it isn't about more vocabulary; it's about learning words in their natural company.
Collocations are word combinations that habitually occur together: make a decision, strong coffee, heavy rain, highly unlikely. The grammar permits other pairings, but fluent English consistently chooses one over the rest. They're the connective tissue of natural-sounding language.
A1 | Elementary | Beginners
If you can say your name, ask Where is the toilet?, and read a simple bus sign — but freeze when someone speaks at normal speed — you're at A1. That's not a problem to fix; it's the level where most learners actually live for a while, and recognising it lets you pick the right material instead of drowning in advanced grammar that wasn't meant for you yet.
A1 is the starting level of the CEFR framework, covering basic everyday communication: greetings, introductions, simple personal questions, present-tense forms of be/have/do, and core determiners and prepositions.
A2 | Elementary | Pre-intermediate
If you can order coffee, ask for directions, and tell someone what you did yesterday — but struggle the moment the conversation drifts into anything abstract — you're operating at A2. Knowing this matters: A2 is the level where most learners plateau because they reach for B2 material too early and burn out. Stay here and your foundations get unbreakable.
A2 is the elementary level in the CEFR framework, covering routine communication and the first wave of real grammar: past simple and continuous, present perfect, basic modal verbs, first conditional, and common verb-pattern rules.
B1 | Intermediate
If you can hold a conversation about your weekend, explain why you're late, and follow a short news story without panicking — but still feel lost in fast or technical English — you're probably operating at B1. Knowing this matters: study material at the wrong level either bores you or burns you out, and B1 is the typical target for travel, casual work, and most everyday social English.
B1 is the intermediate level in the CEFR framework, where you handle everyday English independently and start combining ideas with complex sentences, passive voice, and modal verbs.
Difficulty: Medium
If easy questions feel too obvious but hard questions leave you guessing, you're probably ready for Medium — the level where most real learning happens. It pushes just enough to expose the rules you don't quite have yet, without burying you in edge cases. This is where steady fluency is built, one well-aimed challenge at a time.
The Medium difficulty tag marks middle-range challenges — typically A2 to B1. One rule per question, realistic distractors, and contexts that require active thought rather than instant recognition.