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Help the fantasy author complete this dramatic scene about a rather one-sided dragon attack. Select the best phrase for each gap.
"It's no use _________________________ the heavy iron gates if the dragon can simply fly right over them," the knight sighed.
"And there's absolutely no point _________________________ with a giant reptile that views our army as a mid-afternoon snack!" the wizard replied.

having locked

"It's no use" takes a gerund directly. Here, the perfect gerund "having locked" is used to emphasize that the useless action was already completed in the past.

in negotiating

"There's no point" must be followed by "in" + gerund. Using "to negotiate" or "for negotiating" is grammatically invalid.

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Gerund

If you've ever said I enjoy to read or good at to swim and wondered why it sounded wrong, you've met the gerund. English is fussy about which structures take -ing and which take to + verb, and getting this wrong is one of the most common giveaways that someone learned grammar from a list rather than from real usage.

A gerund is the -ing form of a verb acting as a nounreading, swimming, being late. After many common verbs (enjoy, avoid, finish) and after every preposition, English demands the gerund, never the infinitive.

Phrase

If you've ever read a long sentence in English and felt lost in the middle, you've hit a sentence with too many phrases stacked together. Learning to spot phrases — on the table, the man with the hat, very quickly — turns dense prose into something you can parse: each phrase is one chunk of meaning, not a string of unrelated words.

A phrase is a group of words functioning as a single unit in a sentence, without a subject + verb pair (which would make it a clause). Types include noun phrase (the red car), verb phrase (has been running), prepositional phrase (on the table), and adjective/adverb phrases.

Verb

If grammar feels overwhelming, the fix is almost always to focus on verbs first. They carry the action, the time, the mood, and the voice — a single verb form decides whether your sentence reads as past or present, fact or hypothetical, active or passive. Get verbs solid and the rest of grammar suddenly looks much smaller.

A verb expresses action, state, or occurrence — the engine of every English sentence. Most verbs have five forms (base, -s, past tense, past participle, -ing); be has eight; modal verbs have fewer. Verbs carry tense, aspect, mood, and voice.

Collocations

If your English vocabulary is large but your speech still sounds slightly off — do a mistake, powerful coffee, high winds blew strongly — you've hit the collocation problem. Each word is correct in isolation, but native speakers don't pair them that way. Fixing it isn't about more vocabulary; it's about learning words in their natural company.

Collocations are word combinations that habitually occur together: make a decision, strong coffee, heavy rain, highly unlikely. The grammar permits other pairings, but fluent English consistently chooses one over the rest. They're the connective tissue of natural-sounding language.

Idiom

If you've ever heard a native speaker say that's a piece of cake and wondered what cake had to do with anything — you've met your first idiom. English films, songs, and casual chat are full of these fixed expressions, and missing them leaves the meaning slightly off-kilter. Learning idioms in chunks is the fastest way to stop sounding overly formal.

An idiom is a fixed phrase whose meaning isn't built from its individual words. Kick the bucket (= to die), spill the beans (= reveal a secret), break a leg (= good luck). They have to be memorised as whole units; word-by-word translation almost always misleads.

B2 | Upper Intermediate

If a university admissions team or visa office has ever asked you for an English test score, B2 is probably the level they had in mind. It's the threshold where your English stops being a constraint and starts being a tool — and the line between B1 and B2 is often the line between "stuck in beginner classes" and "ready to study or work in English."

B2 is the upper-intermediate level in the CEFR framework, demanding flexible control of mixed conditionals, passive voice across tenses, reported speech with backshifting, and participle clauses.

Difficulty: Hard

If easy and medium questions are clicking but you still feel exposed in real conversation or formal writing, you've outgrown the basics. Hard material is where the gaps you didn't know you had show up: the distractor that "sounds right", the rule that interacts with another rule, the case where context changes the answer. It's where genuine fluency is built.

The Hard difficulty tag marks upper-intermediate to advanced challenges — typically B2 and above. Interacting rules, edge cases, plausible distractors, and contexts that require genuine understanding rather than surface pattern-matching.