The correct answers are It was because the lead actor forgot his lines that the audience started laughing. and It was the collapsing scenery, rather than the bad acting, that ultimately ruined the show.
It-clefts use that to connect the emphasized focus to the rest of the sentence.
Even when emphasizing a reason ("because..."), you must use that, not why. Similarly, what is never used as the relative pronoun in a standard it-cleft sentence (though it is used in wh-clefts, such as "What ruined the show was the scenery").
Complex sentence
A complex sentence combines an independent clause with at least one dependent (subordinate) clause: I missed the bus because I overslept. The dependent clause adds extra information — usually about time, reason, condition, or which thing is meant — but can't stand alone. It's introduced by a subordinating conjunction (because, although, if, when, while) or a relative pronoun (who, which, that).
Mastering complex sentences is the move from simple, choppy writing to prose that links ideas. It's also where comma decisions get interesting — placement depends on which clause comes first.
Clause
A clause is a grammatical unit built around a verb — typically a subject plus a predicate (She laughed; The manager approved the budget). Clauses come in two types: independent clauses stand alone as complete sentences; dependent clauses need an independent clause to make sense (Because I overslept — incomplete on its own).
Spotting clause boundaries is the foundation of correct punctuation. Once you can see where one clause ends and another begins, comma rules, run-on sentences, and complex sentence structure stop being mysteries.
Relative clause
A relative clause is a dependent clause that modifies a noun, typically introduced by a relative pronoun (who, whom, whose, which, that) or relative adverb (where, when, why). The man who lives in this house has not been seen for days. They split into restrictive (essential to the meaning, no commas) and non-restrictive (extra information, set off by commas).
The split matters because the comma changes the meaning: My brother who lives in Paris (one of several brothers) vs. My brother, who lives in Paris, (my only brother). Getting comma placement right is one of the highest-leverage moves at B2+.
Sentence
A sentence is the largest grammatical unit in writing — one or more clauses expressing a complete thought, ending with a period, question mark, or exclamation mark. English sentences come in four structural types: simple (one independent clause), compound (two or more independent clauses joined), complex (independent + dependent clause), and compound-complex (multiple independent + dependent clauses).
Mastering sentence types is what lets you vary rhythm in writing. All-simple sentences read as choppy; all-complex sentences read as dense. Mixing them is what makes prose breathe.
C1 | Advanced
C1 is the advanced level in the CEFR framework, sitting between B2 and C2. At C1 you stop translating in your head and start thinking in English — handling specialised articles outside your field, picking up implicit meaning, and writing structured arguments on complex topics.
Grammatically, C1 means natural use of inversion (Rarely have I seen…), mixed and advanced conditionals, subjunctive forms in formal contexts, and cleft sentences for emphasis. Most university programmes for non-native speakers and many professional certifications set C1 as their entry standard.
Difficulty: Hard
The Hard difficulty tag marks questions and challenges aimed at upper-intermediate to advanced learners — typically B2 and above. Expect interacting rules, edge cases, distractors that look right at first glance, and contexts where the surface meaning and the grammatical answer don't match.
Filter by Hard when you're past the basics and want material that genuinely tests your understanding. These questions catch the gaps your textbook didn't — register-sensitive choices, exception cases, mixed conditionals, the difference between would have been and had been.