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Choose the correct verb phrase to complete the food critic's warning.

A less resilient food critic ______ directly to the hospital after taking a single bite of that mysterious stew.

The correct answer is would have been sent.

The subject itself ("A less resilient food critic") acts as an implied conditional, meaning "If the food critic had been less resilient..." Because the action (eating the stew) happened in the past, we need the third conditional (past unreal) form to describe what would have happened: "would have been sent."

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Conditional sentence

  • If you heat ice, it melts. — zero conditional (always true)
  • If it rains, I*'ll** take an umbrella.* — first conditional (real future)
  • If I had wings, I would fly. — second conditional (unreal present)
  • If I had left earlier, I would have caught the train. — third conditional (unreal past)

Conditional sentences pair an if-clause with a consequence. Five patterns (zero through mixed) each combine specific tenses to express different levels of reality and time.

Pattern: the tense in the if-clause is always one step "back" from what you'd expect — past for present hypotheticals, past perfect for past hypotheticals.

Passive voice

  • The meal was cooked by the chef. — passive (action matters)
  • Mistakes were made. — passive, agent hidden (evasive)
  • ✅ Active: The chef cooked the meal. — stronger, clearer
  • The report was being been written. — malformed passive

The passive = be + past participle. Object becomes subject. Use it when the doer is unknown, irrelevant, or obvious. Avoid when it hides responsibility or weakens prose.

Formula: find the active object → make it the subject → use be (matching tense) + past participle → optionally add by + agent.

Perfect tense

  • I have lived here for ten years. — present perfect (started past, still true)
  • I live here for ten years. — wrong (simple present can't bridge past→now)
  • She had finished before I arrived. — past perfect (earlier past)
  • They will have left by noon. — future perfect (completed before future point)

The perfect = have + past participle. Connects an action to a reference point in time. Present perfect bridges past→now. Past perfect marks "earlier past." Future perfect marks "done before a future deadline."

Rule: if the action started in the past and is still relevant now → present perfect (have done). If two past events and you need the earlier one → past perfect (had done).

Modal verb

  • She can swim. — ❌ She can to swim. (modal + bare infinitive, no to)
  • You must leave now. — strong obligation
  • It might rain. — possibility (~50%)
  • He should apologise. — advice/recommendation

Modal verbs (can, could, may, might, must, shall, should, will, would) are auxiliaries expressing ability, permission, possibility, obligation, or speculation. Always + bare infinitive. Never inflected (she can, not she cans).

Rule: modals never take to after them, never add -s for third person, and can't combine directly (must can ❌ — use must be able to).

Subject

  • The list of items is wrong. — subject = list (singular), not items
  • The list of items are wrong. — trapped by nearest noun
  • Running is good exercise. — gerund as subject
  • What he said surprised me. — clause as subject

The subject is the noun/pronoun/phrase before the verb that controls its number and person. Finding the true subject — especially through prepositional phrases — is the key to subject-verb agreement.

Rule: strip away prepositional phrases between subject and verb. Whatever's left is the true subject. The list (of items) is wrong.

C2 | Proficiency

  • His was a pyrrhic victory, if ever there was one. — literary allusion + inversion
  • She'd have been none the wiser had he not let slip. — inverted conditional + idiom
  • The proposal, laudable though it may be, fails on pragmatic grounds. — formal concession
  • "Nice weather," he deadpanned, eyeing the hailstones. — irony + narrative register

These are C2 patterns — the highest CEFR level. At C2 you handle literary allusion, irony, any register, and complex written argument with native-like precision across all subjects.

Marker: if your English is indistinguishable from an educated native speaker's across registers, you're C2.

Hard

  • Had she not intervened, the situation would have escalated. — inverted conditional
  • All distractors are grammatically plausible in other contexts
  • Multiple rules interact (e.g., tense + aspect + modality)
  • Context determines the answer — no single "rule" is enough

Hard marks upper-intermediate to advanced challenges: B2+, interacting rules, edge cases, plausible distractors, and contexts where pattern-matching fails.

Use "Hard" when Easy/Medium feel trivial and you want to test whether you actually understand a rule versus just recognising surface patterns.